Dan Sabbagh
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Sir Paul McCartney has accused EMI, his former record company, of becoming
boring and taking him for granted. The former Beatle, speaking to The
Times, complained that the British record company had become too
bureaucratic – and how he had “dreaded going to see them”.
“Everybody at EMI had become part of the furniture. I’d be a couch; Coldplay
are an armchair. And Robbie Williams, I dread to think what he was. But the
most important thing was, I’d felt [the people at EMI] had become really
very boring, you know?”
Last summer, after 4½ decades, Sir Paul left EMI to join the start-up
Starbucks-owned record label Hear Music, which released Memory Almost Full.
The album, which attracted positive critical reviews, has sold more than a
million copies worldwide since its release this summer.
Sir Paul accused EMI of being unimaginative, telling him that he should “go
to Cologne” to market a new record. “This idea became symbolic of the
treadmill, you know? You go somewhere, speak to a million journalists for
one day and you get all the same questions. It’s mind-numbing. So I started
to saying: ‘God we’ve got to do something else’.”
EMI owns the rights to all the Beatles albums, which were released on its
Parlophone label or the group’s Apple label. Although Apple was owned by the
Fab Four, EMI retained the distribution rights in an agreement struck in the
late 1960s and continued to distribute Sir Paul’s material after the band
split up.
He also complained about the long marketing lead times demanded by EMI, the
so-called process of “setting up a record” in an attempt to enhance sales,
recalling that John Lennon was able to force EMI to release Instant Karma
a week after he had written it in 1970.
Sir Paul said that he would ask EMI to release a song “next week”, to which
executives would reply: “You can’t do that these days.” When told that EMI
wanted six months “to figure out how to market it”, Sir Paul asked:
“Couldn’t some bright people do that in two days? Jesus Christ, I said,
‘Look boys, I’m sorry, I’m digging a new furrow’.”
The comments are a further embarrassment for Eric Nicoli, the former EMI chief executive who left the music major after its takeover by Terra Firma, the venture capital group led by Guy Hands. But Mr Hands is unlikely to be quite so concerned, as he is thought to agree with Sir Paul’s criticisms of the previous regime.
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If I were EMI, I would surely listen to the only person alive today to have made without doubt the most important contributions to popular music in history. Never afraid to innovate, and today a performer every bit as good as he ever was with a massive fanbase, so what if he doesn't currently make the 'best' music? People still value Alan Hanson's opinions even if he can't play football as he used to! Record companies and their corporate attitudes have all but killed an industry that should be exciting, experimental and inventive - is it too late for EMI (or any others) to turn this around? They could do worse than pay serious attention to some of the world's greatest 'songsters'.
Brian Hatton, Douglas, Isle of Man
SPM managed to make a few quite decent records, in the immediate aftermath of the Beatles' demise. But good golly.... when his records are bad, they're reeeeally bad. It must be hard to become a has-been, after having participated in the production of some of the greatest pop music of all time.
Peter Koeb, Geneva, Switzerland
your mother should know
john, anamosa, iowa
Ken Barlow of pop music.....
Andy, Bath, UK
Pot meet Kettle.
Whenever I hear that McCartney is on the interview trail, the chat show sofas, the exclusive radio interviews, I think of Yoko Ono.
Ono, another boring dull record from SIR, thats SIR, Paul McCartney, and an avalanche of ego soothing PR for a record nobody cares about, let alone wants to listen to.
Willard, London, London
So? The man was John Lennon's bass player half a lifetime ago, and this makes him somebody now?
Anthony Price, TRURO,
Hey, he's been making music for five decades. His most commercially successful work is 40 years ago and will never be matched (by him or perhaps anyone). People need to try something new to avoid getting stale and irrelevant -- to experiment, as Johnny Cash did in his final years.
So my question to Sir Paul: What took you so long?
Joel West, San Jose, Calif., USA
Cause and effect... EMI were "boring" because it was an impossible task to market the third-rate twaddle (pop or classical) that Paul McCartney continually served up.
Think it through... here's a man who virtually wrote the book on how pop music should be written, arranged and performed. Forty years on from those days, he strides into your office with yet another heartbreaking example of how far from grace he's fallen. Clearly "going to Cologne" is a euphemism for 'your best days are long behind you".
David Tee, Tokyo,
Are we really suposed to believe Sir Paul left Parlophone, home to Lily Allen, Kylie, Gorrillaz, Babyshambles and the like because it was boring compared to a record label which exists soley to use music to shift expensive cups of coffee? Obviously his move will have nothing to do with Starbuck's no doubt huge cheque being very welcome given his impending expensive divorce.
James O'Kane, London, England
James O'Kane, London, United Kingdom
he should know after 40 + years
Mark, Tampa, Florida